January 26, 1999
1999. “পেসাদী সঙ্গীত: একটি অনেকান্ত পাঠ-প্রস্তাবনা”. [Ramprasad: Plural Reading of Text) Alochona Chakra. Collection-XlI. (pp.24-52). RN. 69543/87
A noted Bengali sakta (worshipper of power-goddess Kali or Shyama) poet-singer cum composer, Ramprasad Sen’s songs are analyzed here from many standpoints (anekantavada): (a) possible version of his constructed autobiography; (b) Vaidantic philosopher’s views; (c) Marxist perspectives; (d) Structuralist standpoints; (e) Feminist interpretations ; (f) Post-structuralist non-analysis. All these interpretations/interruptions into the Ramprasad’s texts did not seek coherence, but celebrated the pleasures of reading/hearing texts.
Note: Downloadable document is in Bangla
Number of Pages in PDF File: 15
Keywords: anekantavada, sakta-practice and vedanta, Structuralism, Post-structuralism, Feminism, Marxism, Corporeal Study